PRISM Quartet has a new album out, Surfaces and Essences.
“I ate your book.”
“He gets it! He knows music!”
PRISM Quartet has a new album out, Surfaces and Essences.
“I ate your book.”
“He gets it! He knows music!”
From Wednesday, 7:30pm to 6:30 pm Thursday, EST, the Metropolitan Opera’s free streaming selection will be their exquisite 2016 production of Kaaija Saariaho’s beautiful opera, L’Amour de Loin. This is some seriously magical, gorgeous stuff, the kind of thing that still makes opera worthwhile in the age of an overwhelming supply of video media (you can read my review from opening night here).
“I dig the jacket!”
“George Grella understood exactly.”
Part I of this year’s best classical recordings had music that had been established in the repertoire. This second list is the best recordings of music newly documented. That doesn’t automatically mean New Music—see Salieri below—but music that will be new to the ears.
For the first list, I pointed out how I catch so many concerts that a repertoire recording has to be superior to grab my attention. For new music, I also hear a lot of it in concert, and my general feeling is that there’s a lot of well-made music that stays within safe boundaries of expectations. Any new piece that captures my interest has got some surprises in it.
“I strongly disagree with much of…this essay…but it’s incredibly well-written and thought-provoking, and definitely worth a read. This is the kind of writing that I would hold up as a perfect example of why blogs are not merely fun and interesting, but also serious and important.”
“A reputable music blog.”
You must be logged in to post a comment.