Possibilities

My spirit guide

I’m not a Cynic, I’m a Pessimist. Give me the time to sit and work through the logic, and I’ll get to the satisfying conclusion that there’s no point to being born, and that’s even before I toss in all the malevolence humanity has shown to the universe and to itself.

But I can only take it so far—I’m a father and so I can’t help but look to the future as something possible, if not for me than for someone younger and far more promising. And for whatever reason, my soul and body are entwined with music and there is something about the way sounds come together one after another that takes me out of time into a space where, again, good things are possible.

And now, a mass movement makes it look like good things, concrete things, are possible in real time, a new set of building blocks for a new possible future. We still have a problem with the media-political industrial complex’s inability to call a spade a fucking shovel—their power rests on avoiding articulating any fact or truth—and we’re unlikely to ever see Juneteenth as a federal holiday (I’m old enough to remember St. John McCain fighting tooth and nail to hold back Martin Luther King Day) but people are voting with their feet and timorous corporations are trying to hold on to their wallets, so today starts the de facto holiday, and I see a possible season between it and Memorial Day where we might, as a country, take the Civil War out of Ken Burns’ misty bourgeois mythologizing and see it as the second act in building this nation, with the third still to come.

In the great American tradition of using a holiday as an excuse to shop, I want to point you over to Bandcamp, where all their proceeds today are going to the NAACP Legal Defense Fund. If you want to look specifically for Black artists, here’s a place to start. My recommendations are:


Julius Eastman, Femenine:

This new joint from Nicole Mitchell and Moor Mother, and anything and everything from Moor Mother:

Anything and everything from the wonderful International Anthem label:

This benefit compilation has close to 110(!!!!) tracks, so you’re sure to find something you dig:

This EP from Fred Hersch and Esperanza Spalding is live, raw, and benefits the Jazz Foundation of America, which is trying to support jazz musicians how are now pretty much all out of work:

Sunn O))) has posted more rehearsal demos, and based on the previous limited edition batch, these are going to be fantastic:

If you’re interested in exploring contemporary music outside the West, you’ll find immense treasures via the Unexplained Sounds group of labels.

Go explore, it’s an enormous world of music out there.

“He gets it! He knows music!”

Alvin Singleton

“A reputable music blog.”

New Amsterdam Records

Listening Log: It Was a Cold April

Beethoven Complete Edition

Stijn Hüwels and Tomoyoshi Date, hochu-ekki-tou

Stijn Hüwels and Norihito Suda, 山水 / Sansui

Hasco Duo, The Same Old Wonder

Ray Suhey/Lewis Porter Quartet, Transcendent

Martial Solal and Dave Liebman, Masters in Paris

Noctilucant, Crumbling Cities Echoing Their Terror

“George Grella, always on the money!”

G. Schirmer & Associates

“George Grella understood exactly.”

Robert Ashley

May Day Music

On May 1, Bandcamp is once again waiving their fees, so if you buy something 100% of the money goes to the artist (they’ll also be doing this at the beginning of June and July, if you want to gird your wallet).

Pi Recordings has started to issue a series called This is Now: Love in the Time of COVID, with quick and unusual new recordings from their group of artists. First is this solo album from saxophonist Steve Lehman, a very personal and idiosyncratic (and mind-blowing) set of studies he recorded in his car.

I flag this series in particular because Pi is distributing this for their artists, and the musicians get 100% of the money. Good guys all around.

“George Grella, always on the money!”

G. Schirmer & Associates

“Anyone who can write with insight and authority about Alas No Axis, Sonic Youth, Elvis Costello…Missy Mazzoli and William Britelle, and…Mahler…is okay in my book.”

Darcy James Argue

For Those in Need

Got any coin stuffed away in a digital mattress someplace? Asking for a friend…

Seriously, I am asking, because this is 10 of my April fundraiser, and baby I’m still out here raising. I’m a maker and a taker, and if you can skim anything off the top, it all helps. If I’ve ever helped you discover a new pleasure, if I’ve saved you money by pointing out a bargain on something you wanted to buy, I’d appreciate a cup of coffee (but not if you’re shit out of work, like me).

Case in point: if you have some money for new music, hold onto it until Friday, May 1, when Bandcamp is again donating all their fees to artists who sell music; buy something and the maker gets 100%.

Can’t wait? Brooklyn-based Temporary Residence, Ltd. label giving away an album a day, starting today (at Bandcamp, that means pay what you want, which can be $0). First up, April 27, is this rocking art-punk album from the Italian band Bellini:

Tuesday, April 28, you can get The Drift, by Noumena, and don’t miss out on William Basinksi’s ambient classic The Disintegration Loops (May 1), and then releases from Field Works in their series of albums based on and inspired by the field recordings of Stuart Hyatt. This daily sale is going to continue until there’s a COVID-19 vaccine, so the label is paying it forward in the extreme.

May 1 is also the release date for a new Field Works record, Ultrasonic, a collection of music based on Hyatt’s recordings of bats. I’m very excited about this one coming out, check out the preview below and you’ll “see” what I mean:

Experimental musician Howard Stelzer has brought out the back catalogue for two now defunct labels he used to run, Intransitive and Songs From Under the Floorboards, and he’s offering a deal on the full digital discography, 29 releases for $22.70. Go to any releases, like this excellent one from C. Spencer Yeh, and purchase the bundle from there. But maybe wait until May 1.

“A reputable music blog.”

New Amsterdam Records

“I strongly disagree with much of…this essay…but it’s incredibly well-written and thought-provoking, and definitely worth a read. This is the kind of writing that I would hold up as a perfect example of why blogs are not merely fun and interesting, but also serious and important.”

Judd Greenstein

Soundtrack to the Apocalypse

While you’re busy honoring artists for their work at Bandcamp—and you must be because the site seems to be overloaded—check out this list I made for them a few years back, when maybe I was the only one thinking about a desolate Earth. This is selected ambient music that comes out of the concept of sounds left behind when humans are gone, a companion this post.

For more books to read while you’re cooped up, get Annalee Newitz’s Scatter, Adapt, Remember

And A Canticle for Liebowitz, one of the greatest novels of the 20th century